IRON MAIDEN: NO PRAYER FOR THE DYING - 2015 REMASTERED EDITION

IRON MAIDEN: NO PRAYER FOR THE DYING - 2015 REMASTERED EDITION

£19.99

IRON MAIDEN: NO PRAYER FOR THE DYING-2105 REMASTERED EDITION

No Prayer for the Dying is Iron Maiden's eighth studio album . It marks their first line-up change since 1982 as  guitarist Adrian Smith left the band during the pre-production phase as he was unhappy with the musical direction it was taking Adrian only contributed to one song on the album , "Hooks in You". He was replaced by guitarist Janick Gers.

No Prayer for the Dying includes the hit song "Bring Your Daughter... to the Slaughter", which, in spite of a ban by the BBC, remains Iron Maiden's only UK No. 1 single to date. A tongue-in-cheek song written by Dickinson and originally recorded with his solo band for the A Nightmare on Elm Street 5: The Dream Child film soundtrack, Harris decided that the song would be "great for Maiden" and had the band re-record it.

If you've forgotten how good the song sounded here is the official Iron Maiden video.

The album departed from the keyboard- and synthesiser-saturated progressive rock direction of the band's two previous studio outings (1986's Somewhere in Time and 1988's Seventh Son of a Seventh Son) in favour of a more "stripped down," straightforward style, reminiscent of the band's earlier material, which also ushered in a change of vocal style for Bruce Dickinson from the operatic sound of the 1980s to a raspier way of singing. In addition, Michael Kenney, who had previously played keyboards on tour with the band,was hired to  play keyboards on the album, replacing Steve Harris and Adrian Smith who had filled that role on previous albums.

The album also departed from literary and historical lyrical themes in favour of more political content, with songs focusing on religious exploitation (such as in the record's first single, "Holy Smoke") and social concerns ("Public Enema Number One"). No Prayer for the Dying is the only Iron Maiden studio album to date without a song exceeding six minutes in length and the second one to contain profanity in the lyrics, the debut album being the first to do so. It was also the band's first release with Epic Records in the US, after the band left Capitol Records, but was sold through EMI for all territories outside the US. Despite charting well in most countries, particularly in the UK where it debuted at No. 2, it would be the band's last album to receive gold certification in the US.

 Following Bruce Dickinson's departure from Iron Maiden in 1993, songs from No Prayer for the Dying have been largely ignored at live performances. "Bring Your Daughter... to the Slaughter" was the only song played on a post-1993 setlist, appearing on the band's 2003 summer tour.

No Prayer on the Road was the tour in support of the album.

Album cover

No Prayer for the Dying does not follow the continuity of previous album covers, as Eddie no longer exhibits either his lobotomy or cyborg enhancements.

Two versions of the cover exist. This remastered album edition  uses the original 1990 version has Eddie bursting from his grave and grabbing a gravedigger (with the likeness of the band's manager, Rod Smallwood) by the neck. However, Smallwood disliked the figure and asked artist Derek Riggs to remove him from the cover for the 1998 re-release, although the original artwork is used on the disc itself. Additionally an inscription was added to the wall plaque on the tomb, which Riggs had initially left blank to allow the band to add their own words, and reads "After the Daylight, The Night of Pain, That is not Dead, Which Can Rise Again."

The idea for the recording sessions was to make a more "street level" release. This also inspired the band to record in a barn on bassist Steve Harris's property in Essex, using the Rolling Stones Mobile Studio.This was therefore the first Iron Maiden album to be recorded in their home country since 1982's The Number of the Beast. Dickinson states that this idea was a mistake, commenting that "It was shit! It was a shit-sounding record, and I wished we hadn't done it that way. At the time, I was as guilty as anyone else in going, 'Oh great! Look, we're all covered in straw! What a larf!'"


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